COLLECTING
Thomaï Serdari on Fine Arts & Luxury
Ora-ito. Arborescence Collection for Christofle. Courtesy of Christofle.

  In our culture of vanity and self-absorption, hoi polloi are mainly interested in fashion. Cladded in designer outfits and accessorized to the tilt, contemporary consumers re-define themselves based on the quantities of goods they acquire. Additionally, they seek to partake in the art world, even if tangentially. The Murakami and Kusama limited editions of […]

Archaic design for necklace (with dark red garnets in cabochon) and brooch (with malachite). Courtesy of Lalaounis.

For saturated tastes such as ours today, few are the luxury pieces that stand apart. As consumers we have become blasé precisely because the market is crowded with too many brands fighting for our attention. Print ads, promotional videos, short films, Facebook endorsements, and chatty tweets raise the volume of noise and confusion. To counter […]

Wim Delvoye. Dual Möbius Quad Corpus. Courtesy of Sperone Westwater.

Scholarship on contemporary art has become boring—self-important, deeply esoteric, with ideas built on circular arguments. That should not come as a surprise. Art criticism is hollow because there is no “Big Bang” in art either. Except occasionally, of course. As is the case with the work of Wim Delvoye, currently at Sperone Westwater and on […]

Tiffany & Co. Vintage Minaudière. Courtesy of Heritage Auctions.

For the last ten years, auction houses have been steadily increasing their presence in the field of vintage fashion and accessories. Increased consumption of luxury goods has paralleled the ups and downs of the market and, as a result, it has generated an entire new category of product placement at auctions. While the major auction […]

"Pippa" chair. Courtesy of Hermès.

“Luxe pauvre” (transl. impoverished luxury) has nothing to do with deprivation—on the contrary it refers to a most heightened form of an opulent aesthetic, one that, ironically, precedes minimalism by several decades. Jean-Michel Frank (1895-1941), the French aristocrat who found in design an outlet for his introvert nature, is still considered the master of this […]

Fornasetti enamelled brown glass, 1937. Courtesy of Alexandre Biaggi.

Call it name-dropping, call it trend-setting, brand-cladding is an art for urbane New Yorkers. These global nomads, whether local or international, are well versed in the language of brands. They show a flare for branded apparel, define their lifestyle according to branded neighborhoods, and consume branded art by means of branded funds and trust accounts.  […]